Then you might switch to an entirely new character as they enter the fray. Those characters might then get separated, and you're able to swap between the two groups as they tackle different objectives. You can start in a deep space combat situation, then land your ship and switch instantly to controlling the characters on the ground. The story levels can now actually tell a story, rather than plonking popular characters in recognisable locations and funnelling them to the end.Įvents are more fluid, with the established gameplay styles free to flow into one another instead of being segregated into standalone levels. Yet even here, in the meat and potatoes LEGO game material, changes have been made. It's as familiar and exciting as a childhood Christmas morning. Each level still contains ten hidden minikit pieces which combine to form a collectible model. Red power bricks still unlock cheats and silly features. The vehicle sections remain too you swoop around in a variety of spacecraft, blasting targets. You still work your way through story levels using multiple characters, their complementary skills allowing you to solve gentle environmental puzzles and destroy anything that looks fragile to harvest the game's stud currency.Īnd you still come back later, once you've unlocked more characters, to find even more areas and extras that were inaccessible first time around. It's not as if the old explore-and-smash template has been abandoned completely. Come on, George, why not just call him Nasty McEvilguy? Worst new Star Wars character name? Whorm Loathsom. With the Clone Wars as its backdrop, LEGO has suddenly turned RTS. When it comes to LEGO Star Wars III, even the most vehement detractor won't fail to notice the changes made to the formula. Yet any parent who has sat down with their kids over the last five years or so and spent hours tracking down every last minikit (indeed, any parent who knows what a minikit is) will know that each LEGO title has its own flavour.įeatures come and go from title to title, old ideas giving way to new before returning in improved forms - but the series has arguably shown more willingness to evolve over the years than many hardcore-approved titles. That part, certainly, has changed very little. It's as much a part of this game as the timeworn cliches of headshots, drifting and combo-punching are to other console lineages. That's the heart of the series, the comforting familiar centre that kids respond to. Tiny figures run and jump around brightly coloured maps, smashing everything in sight and slurping up hundreds of tinkling LEGO studs. If you're just glancing at the games from afar, it's easy to make this assumption.

There's a popular misconception that the LEGO series never changes that every game is a shameless repeat of the first with different LEGO versions of licensed characters swapped around for each money-grabbing iteration.

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